In contrast with the apparently effortless flow of ideas and melodies, we know that his compositional process was far from fluent. Chopin was hypercritical of everything he wrote and allowed to be published. It has never fallen out of favour with those who play or listen to it, unlike much of Mozart, say, or Vivaldi. Yet the proportion of it that is regularly played and recorded compared to those three composers is extraordinarily high. His career coincided happily with a period in which significant improvements were being made constantly.Ĭhopin occupies a unique position in the pantheon of great composers in three respects: he wrote no symphonies, operas, ballets or church music, and very little chamber music his claim to immortality rests not on large-scale works but on miniatures (even his concertos and sonatas are really shortish pieces sewn together into larger classical forms which, he realized early on, were not his strength) thirdly, every single composition that he ever wrote, regardless of form, involves the piano.Ĭompared to some others-Bach, Schubert and Liszt are just three random examples-he composed very little music. He introduced a whole range of new colours, daring harmonies and means of expression in which he exploited every facet of the new developments in piano construction. His influence on succeeding generations of writers for the instrument was profound and inescapable. More than any other, he was responsible for the development of modern piano technique and style. This duality was central to (and is reflected in) his music-the epic struggle and nationalist characteristics of the Poles and the refined elegance of the French.Ĭhopin was one of the greatest and most original pianists in history. For the first twenty years, his life was based in Poland for the remainder of his life, just six months shy of a further twenty years, he was based in France. Just as his father Nicolas Chopin changed his name to Mikolaj, becoming more Polish than the Poles (and, incidentally, never revealing to his children his French origins), his son, christened Fryderyk Franciszek, metamorphosed into the dandified Parisian known to the world as Frédéric François Chopin. Though Polish by birth, he was half-French by blood.
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